![]() Although there is no reed, the tip can be pinched in the same way that a nozzle sax! It is even possible to partially obstruct the opening with the language to generate interesting TKT difficult to play without destabilizing the soprano sax sound. ![]() ![]() The response time-adjustment may be zero, making the instrument more than a swift flute, but also delicate in the octave-jumping fingers to be impeccably synchronized! Changes octave roll proved very flexible to use: up from pairs of octaves, arpeggios. Compared to the saxophone, the keywork sets allows a greater number of combinations, which facilitates the chromaticism. It takes a few months to be comfortable, but nothing insurmountable! I'm not disappointed! In practice, I see it as an instrument in its own right that requires a specific technical work. The Akai was cheaper than syntophone (a real electronification alto sax), and ensured the linearity of response with the proper management of the pressure sensor at the nose (a problem with yamaha that I read). Initially, I was looking for an instrument to study "silent" with a good sound that allows me to do the relay with a soprano sax with little change of scenery. I decided to buy the EWI in 20 I played for a year.
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